Lot Essay
“In these works by Ouyang Chun, ‘the king is dead, long live the king’ finds a very particular echo. The king stands as a symbol for the eternal recurrence of experiences of victory and defeat of power and powerlessness. What is, however, decisive is painting: it is what lends to timelessness any existence in the present.” – Dr. Margrit Brehm (curator of Ouyang Chun: Painting the King)