Freddie Mercury/Wreckage

Details
Freddie Mercury/Wreckage
A rare recording of Wreckage
the ¼-inch reel-to-reel tape made at a rehearsal for the band's debut performance at Ealing College, recorded in Freddie Mercury's flat at 40 Ferry Road, Barnes, London in October, 1969, with Freddie Mercury on vocals, Richard Thompson on a practise pad, Mike Bersin on an unplugged electric guitar and John Taylor on an amplified bass, the tape has an approximate running time of ten minutes and reveals the group making several attempts to perform a Mercury composition called Green and the opening bars of another unidentified Mercury song [possibly Blag-A-Blues]

The tape is offerd for sale without copyright, broadcast rights, performers consents and other reproduction rights. The Buyer must apply to the relevent parties to obtain such clearance and consents as may be necessary
Literature
STUART, John S. and DAVIS, Andy Queen Before Queen - The 1960s Recordings... in The Record Collector Magazine, March 1996, No. 199, pp.55-56

Lot Essay

Richard Thompson, the drummer in this rehearsal session is responsible for the preservation of what has been described as ...the most important pre-Queen recording. The recording was made on a small Fidelity two-track recorder which Thompson had owned for about ten years. Thompson made the recording so that he could learn the song before the group's concert at Ealing College. Thompson recalls that the song Green had a ...straightforward 4/4 in the middle, but we needed to learn the beginning and end of it. It had a weird beginning. Most of Freddie's songs were like that... John S.Stuart's and Andy Davis' review of this recording describe Green as ...a melodic, medium-paced ballad, whose tone recalls that obscure Queen delight "Mad The Swine" and ...some of the more reflective material [Mercury] wrote toward the end of his life... This rehearsal session was apparently an extended one, Thompson was exhausted and Mercury had practically lost his voice, the group also had to consider the other flatmates in Ferry Road and as a result Mercury can be heard singing in a hushed manner...Mike Bersin can be heard strumming along on an unplugged electric guitar. Only John Taylor's bass is amplified, while Richard Thompson keeps time by tapping on a practise pad... the recording ends when a flatmate interrupts complaining that it is one o'clock in the morning.

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