After SIR LESLIE WARD ("SPY"), CARLO PELLEGRINI ("APE") and other artists

Details
After SIR LESLIE WARD ("SPY"), CARLO PELLEGRINI ("APE") and other artists
Vanity Fair Cricketers
complete set of 32 original prints, chromolithographs or colour process, London: published in Vanity Fair, 9th June 1877-3rd September 1913, average size 326 x 200mm. (14½ x 8in.), all framed and glazed.
[and:]
After SIR LESLIE WARD ("SPY")
Mr. J. R. Mason
chromolithograph, London: Supplement to "The World," 350 x 228mm. (14¾ x 8¾in.), framed and glazed. (33)
Literature
This is a complete set of Vanity Fair cricketers as listed on p. 108 of Russell March's The Cricketers of Vanity Fair (Exeter, Webb & Bower, 1990), plus the separately published "Spy" print of J. R. Mason. Players' names in order of publication are as follows: William Gilbert Grace, Frederick Robert Spofforth, Lord Harris, George John Bonnor, Honourable Alfred Lyttelton, Walter William Read, Hylton Philipson, Albert Nielson Hornby, Andrew Ernest Stoddart, Samuel Moses James Woods, Lord Hawke, Charles Burgess Fry, Kumar Shri Ranjitsinhji, Capt. George Edward Wynyard, Gilbert Laird Jessop, Digby Loder Armroid Jephson, Robert Abel, Honourable Frank Stanley Jackson, Lionel Charles Hamilton Palairet, George Hirst, Pelham Francis Warner, Bernard James Tindall Bosanquet, Lord Dalmeny, Thomas Hayward, Reginald Herbert Spooner, John Thomas Tyldesley, Rev. Frank Hay Gillingham, Cyril Mowbray Wells, Kenneth Lotherington Hutchings, Colin Blythe, John Berry Hobbs, Edward Wentworth Dillon.

Lot Essay

Cricket and sport generally were never the main precoccupation of Vanity Fair, which was started as a satirical magazine, without illustrations, in 1868. The first cricketer, W. G. Grace, did not appear until 9 years later. The only sportsmen to appear before Grace were Captain Webb, in 1875, after swimming the channel, and the gymnast Captain Fred Burnaby (1876). About half the cricketers were drawn from the home counties -- Middlesex, Surrey, Kent and Essex -- and no professional was included until 1902. Of nearly 2,500 cartoons published before the magazine finally folded in 1914, only 32 were chosen primarily as cricketers. Nevertheless, the game had a better representation than any other sport in the magazine (horse-racing has the only double-figure sporting list), and were it not for its gallery of sportsmen who would remember Vanity Fair now? As individuals, the Vanity Fair cricketers will always be the object of facination. But they are equally important collectively as icons of cricket's and of England's halcyon years before 1914. "Apart from the delicate lithographs of the 1840s by Corbet Anderson, Basébé and Felix, it is doubtful if cricket, or any other English sport, has a more felicitous pictorial file of performers," writes John Arlott in his introduction to Russell March's book (p. 7). "The Vanity Fair drawings were skilfully executed by capable draughtsmen, and the colour-litho prints were technically extremely well made."

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