QIANLONG FOUR-CHARACTER MARK IN BLUE ENAMEL WITHIN A DOUBLE SQUARE AND OF THE PERIOD (1736-1795)

The intricate design and craftsmanship of the present miniature hu reflect the high artistic standards and innovative techniques of the Enamel Workshop within the Zaobanchu (Imperial Palace Workshop) during the Qianlong period. The theme of mother and child was particularly popular during this time, likely introduced by the French Jesuit artist Jean-Denis Attiret (1702-1768). Interestingly, the 'European mother and child' motif was adapted into a 'Chinese mother and child' design, possibly to cater to Chinese tastes.

Compare to a painted enamel zhadou decorated with the same theme against a similar decorative ground is in the collection of the National Palace Museum, Taipei, collection number: gufa000564N (fig. 1). Compare also to a painted enamel snuff bottle with similar composition, also in the collection of the National Palace Museum, Taipei, collection number: gufa000820N (fig. 2).