HANS HOFMANN (1880-1966)
Atelier (Still Life: Table with White Vase)
Details
HANS HOFMANN (1880-1966)
Atelier (Still Life: Table with White Vase)
signed and dated 'Hans Hofmann 38' (lower right)
oil on plywood
60 x 48 in. (152.4 x 121.9 cm.)
Painted in 1938.
Atelier (Still Life: Table with White Vase)
signed and dated 'Hans Hofmann 38' (lower right)
oil on plywood
60 x 48 in. (152.4 x 121.9 cm.)
Painted in 1938.
Provenance
The estate of the artist
Andre Emmerich Gallery, New York
Acquired from the above by the present owner, 1982
Andre Emmerich Gallery, New York
Acquired from the above by the present owner, 1982
Literature
Bennington College Alumnae Quarterly 7, no. 1, Fall 1955, pp. 22 (installation view illustrated).
C. Greenberg, “New York Painting Only Yesterday,” ARTnews 56, no. 4, Summer 1957, p. 86 (titled Atelier Table with White Vase).
E. Pollet, “In the Galleries: 1930’s—New York Painting,” Arts 31, no. 9, June 1957, p. 56 (titled Atelier Table with White Vase).
Dartmouth Alumni Magazine 55, no. 3, December 1962, p. 24 (installation view illustrated).
“Former Students,” Richmond Times-Dispatch, circa February 1964 (illustrated; titled Table with White Vase).
J. D. Longaker, “Hofmann Takes Mystical Bent,” Richmond Times-Dispatch, 16 February 1964, p. 4L (titled Table with White Vase).
H. Hofmann, Search for the Real, and Other Essays, Cambridge, 1967, p. 76 (installation view illustrated).
J. O’Brian, ed., Clement Greenberg: The Collected Essays and Criticism, Volume 4: Modernism with a Vengeance, 1957-1969, Chicago, 1993, p. 24.
S. Villiger, ed., Hans Hofmann: Catalogue Raisonné of Paintings, Volume II: Catalogue Entries 1901-1951, Burlington, 2014, p. 127, no. P208 (illustrated).
C. Greenberg, “New York Painting Only Yesterday,” ARTnews 56, no. 4, Summer 1957, p. 86 (titled Atelier Table with White Vase).
E. Pollet, “In the Galleries: 1930’s—New York Painting,” Arts 31, no. 9, June 1957, p. 56 (titled Atelier Table with White Vase).
Dartmouth Alumni Magazine 55, no. 3, December 1962, p. 24 (installation view illustrated).
“Former Students,” Richmond Times-Dispatch, circa February 1964 (illustrated; titled Table with White Vase).
J. D. Longaker, “Hofmann Takes Mystical Bent,” Richmond Times-Dispatch, 16 February 1964, p. 4L (titled Table with White Vase).
H. Hofmann, Search for the Real, and Other Essays, Cambridge, 1967, p. 76 (installation view illustrated).
J. O’Brian, ed., Clement Greenberg: The Collected Essays and Criticism, Volume 4: Modernism with a Vengeance, 1957-1969, Chicago, 1993, p. 24.
S. Villiger, ed., Hans Hofmann: Catalogue Raisonné of Paintings, Volume II: Catalogue Entries 1901-1951, Burlington, 2014, p. 127, no. P208 (illustrated).
Exhibition
Andover, Addison Gallery of American Art, Phillips Academy, Hans Hofmann: Painter and Teacher, January-February 1948, p. 82 (installation view illustrated).
Bennington College, A Retrospective Exhibition of the Paintings of Hans Hofmann, May 1955, no. 1 (titled Atelier III).
New York, Poindexter Gallery, The 30s: Painting in New York, June 1957, n.p. (illustrated; titled Atelier Table with White Vase).
Des Moines Art Center, Six Decades of American Painting of the Twentieth Century, February-March 1961, no. 34 (titled Still Life).
Hanover, Hopkins Center, Dartmouth College, Paintings by Hans Hofmann, November 1962.
Denver, International House; East Lansing, Michigan State University; Akron Art Institute; Bloomington, Indiana University Art Museum; Auburn University; Chattanooga, Hunter Museum of American Art; The Carillon Richmond Artists Association; The University of North Carolina at Greensboro; Tampa, University of South Florida; Portland Museum of Art, Maine; State University of New York College of Education at Oswego; Chapel Hill, The University of North Carolina Ackland Art Museum; Coral Gables, University of Miami Joe and Emily Lowe Art Gallery, Hans Hofmann and His Students, May 1963-April 1965.
Pittsburgh, Carnegie Institute Museum of Art, Abstract Painting and Sculpture in America, 1927-1944, November 1983-September 1984, no. 74, pp. 113 and 170 (illustrated).
University of California, Berkeley Art Museum and Pacific Film Archive; Salem, Peabody Essex Museum, Hofmann: The Nature of Abstraction, February 2019-January 2020, pl. 8, pp. 20-22, 54, 121-123 and 174 (illustrated).
Bennington College, A Retrospective Exhibition of the Paintings of Hans Hofmann, May 1955, no. 1 (titled Atelier III).
New York, Poindexter Gallery, The 30s: Painting in New York, June 1957, n.p. (illustrated; titled Atelier Table with White Vase).
Des Moines Art Center, Six Decades of American Painting of the Twentieth Century, February-March 1961, no. 34 (titled Still Life).
Hanover, Hopkins Center, Dartmouth College, Paintings by Hans Hofmann, November 1962.
Denver, International House; East Lansing, Michigan State University; Akron Art Institute; Bloomington, Indiana University Art Museum; Auburn University; Chattanooga, Hunter Museum of American Art; The Carillon Richmond Artists Association; The University of North Carolina at Greensboro; Tampa, University of South Florida; Portland Museum of Art, Maine; State University of New York College of Education at Oswego; Chapel Hill, The University of North Carolina Ackland Art Museum; Coral Gables, University of Miami Joe and Emily Lowe Art Gallery, Hans Hofmann and His Students, May 1963-April 1965.
Pittsburgh, Carnegie Institute Museum of Art, Abstract Painting and Sculpture in America, 1927-1944, November 1983-September 1984, no. 74, pp. 113 and 170 (illustrated).
University of California, Berkeley Art Museum and Pacific Film Archive; Salem, Peabody Essex Museum, Hofmann: The Nature of Abstraction, February 2019-January 2020, pl. 8, pp. 20-22, 54, 121-123 and 174 (illustrated).
Brought to you by
Emily Rose Fitzgerald
Junior Specialist