Diana Vreeland was a towering figure in the fashion world, known for her innovative vision and transformative influence on style. Starting her career in the 1930s as a columnist for Harper's Bazaar, Vreeland quickly made a name for herself with her keen eye for emerging trends and her distinctive voice. She later rose to the position of editor-in-chief at Vogue, where she reigned from 1963 until 1971, pushing boundaries with audacious layouts, striking photography, and a strong focus on individual style. Vreeland’s tenure at Vogue was marked by her ability to capture the essence of the times, from the elegance of the post-war era to the avant-garde movements of the 1960s. She played a crucial role in popularizing fashion icons and designers, cementing her legacy as a visionary who understood the interplay between art, fashion, and culture.

Very much aligned with the present private collector, Vreeland had an enduring passion for jewelry, viewing it as an essential element of personal expression and style. She believed that jewelry could transform an outfit and reflect one’s personality, often wearing striking pieces that showcased her love for bold aesthetics. Her collections included everything from classic diamonds to exotic gems, and she often mixed styles and eras to create unique looks. This love for adornment was not only personal but also influenced her work in fashion, as she frequently highlighted the importance of accessories in her editorial content, celebrating their role in enhancing a woman’s elegance and confidence.

This exceptional ‘Facetté' cuff (Lot 75), circa 1934, is incredibly contemporary. The combination of the transparent rock crystal elements paired with geometric diamond plaques is architectural, impactful and sophisticated. A design ahead of its time, this bracelet links three women – Suzanne Belperron, Diana Vreeland and the present collector – and beautifully personifies their shared trailblazing spirit and daring style.