PRINCE AURANGZEB
PRINCE AURANGZEB
PRINCE AURANGZEB
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THE COLLECTION OF PAUL RICHARD LOEWI (1879-1939) AND HIS DAUGHTER ERICA (1918-1996)
PRINCE AURANGZEB

MUGHAL INDIA, CIRCA 1640

細節
PRINCE AURANGZEB
MUGHAL INDIA, CIRCA 1640
Opaque pigments heightened with gold on paper, set within a white border with gold and polychrome floral meander, narrow red and inner border and yellow outer border, gold and polychrome rules, gold illuminated navy blue margins, the verso plain, mounted between two sheets of glass and set into card mount
Painting 6 1⁄8 x 3 ¼in. (15.5 x 8.3cm.); folio 11 ¼ x 7 ½in. (28.8 x 19.1cm.)
來源
Paul Richard Loewi (1879-1939)
Thence by descent to the current owner

榮譽呈獻

Sara Plumbly
Sara Plumbly Director, Head of Department

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拍品專文


A piece of paper accompanying this painting notes that J.V.S Wilkinson (d.1957) was of the opinion the portrait depicts the Emperor Aurangzeb. This note is dated 19th May 1938, when Wilkinson was a specialist in Oriental Manuscripts at the British Museum (he would later become Librarian at the Chester Beatty Collection in 1946). Meanwhile a note on the mount simply names the subject as a 'Moghul Prince' and dates the work to circa 1640, during the reign of Shah Jahan (r. 1627-1658). The portrait is comparable to another in the Metropolitan Museum of Art identified at the Emperor Aurangzeb (acc.no. 45.174.28). Both are a standing in profile looking to the viewer's right but whilst our portrait shows the subject raising his left hand with a sword in the right, the opposite is shown in the Metropolitan Museum portrait. Another comparable portrait in the Metropolitan Museum depicts Aurangzeb as a prince (acc.no. 2022.182) wearing ringlets in his hair as seen in the present painting. It is also noticeable that both Metropolitan Museum portraits show Aurangzeb as having distinctively shaped ears also depicted in our painting and further supporting the identification.

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