Victor Pasmore, R.A. (1908-1998)
No VAT will be charged on the hammer price, but VA… Read more
Victor Pasmore, R.A. (1908-1998)

Designs for Peterlee New Town, Co. Durham

Details
Victor Pasmore, R.A. (1908-1998)
Designs for Peterlee New Town, Co. Durham
pencil drawing and wood maquette on card, unframed
21¼ x 14¼in. (54 x 36.2cm.)
and a maquette for the terraced housing, an unframed ink and gouache sketch for Sunny Blunts housing Estate, and a number of black and white photographs of Peterlee New Town.
Special notice
No VAT will be charged on the hammer price, but VAT at 17.5% will be added to the buyer's premium which is invoiced on a VAT inclusive basis. All sold lots not removed by 2:00 on Monday 13 November 2000 will be removed to the warehouse of: Cadogan Tate Ltd., Fine Art Services Cadogan House, 2 Relay Road, London W12 7SJ Telephone: 44 (0)20 8735 3700 Facsimile: 44 (0)20 8735 3701 Lots will be available for collection following transfer to Cadogan Tate, every week-day from 9:00am to 5:00pm. An initial transfer and administration charge of £3.20 and a storage charge of £1.60 per lot per day will be payable to Cadogan Tate. These charges are subject to VAT and an insurance surcharge. (Exceptionally large pictures will be subject to a surcharge).

Lot Essay

The South West area, called Sunny Blunts, of Peterlee New Town in Co. Durham was constructed between 1963 and 1966. It was the first architectural project on a grand scale in this country to combine the ideals of an artist, the concepts of an architect and the realities of a town planner.
In relation to this project Victor Pasmore wrote "While I believe that the architect is an artist just as much as any painter or sculptor, the professional architect today can't really deal with pure architecture. Building is a utilitarian business. But certain aspects of painting and sculpture have completely emancipated themselves from utilitarian factors and now you have some painting and sculpture that is more like pure music. I think the same could sometimes happen in architecture."
(Twentieth Century, Summer 1962, p.124)

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