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Ruth Asawa: Line by Line

16 OCTOBER – 6 NOVEMBER 2015 | TOKYO

Christie’s is proud to present its second survey exhibition dedicated to one of America's most talented artists of the 20th century, Ruth Asawa. This exhibition titled Line by Line, focusing on the interrelationship between the artist's drawings and sculptures, follows the great success of the Objects & Apparitions  exhibition held in 2013 at Christie’s, Asawa’s first comprehensive exhibition in New York in over 50 years.

Ruth Asawa has lived a rare and unique life as an artist. Her life, like her art, has been shaped by social and political impositions, unjust restrictions on her liberties and supposed inalienable rights. As a teenager in the early 1940's, Asawa and her family were sent by Executive Order to an internment camp along with approximately 120,000 fellow Japanese-Americans. Under the tutelage of professional artists who were also held captive in the camps, Asawa began exercising freedom through her art while the government stripped her of her civil liberties. Despite the suffering she endured. Asawa exhibited great humility and harbored little resentment more than fifty years after the event, saying, "I hold no hostilities for what happened; I blame no one. Sometimes good comes through adversity. I would not be who I am today had it not been for the Internment, and I like who I am."

On a journey to Mexico in the summer of 1947, Asawa was captivated by the looped-wire baskets used in markets to sell eggs and other produce. Intrigued with wire as an exploratory medium for her own studies, she began to loop and twist wire in a similar fashion. Asawa began creating three-dimensional forms that played with their surrounding space using one continuous line made of wire. These looped wire sculptures with their multi-layered exterior and interior forms invoke a sense of wonder that immediately turns to a curiosity about how they were made. These sculptures rely on the language of transparency that is associated with the formulation of modernism and design promoted by the Bauhaus.

View the Objects & Apparitions 2013 Catalogue >

Watch Video

  • Ruth Asawa: Objects & Apparitions

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Ruth Asawa: Objects & Apparitions

Special Feature

Ruth Asawa at Tamarind: 5 Things for Collectors to Know

As Christie’s Prints and Multiples Specialist Libia Nahas explains, Ruth Asawa’s forays into lithography were brief, but bold.

Exhibition Highlights

  • Ruth Asawa (American, 1926-2013)

    Untitled
    [S.267, Hanging, Two-Part, Six-Lobed, Continuous Form with Interior Forms in the Third and Fourth Lobes], c. 1952
    Brass Wire
    85 x 13 x 13 in. (215.9 x 33.02 x 33.02 cm.)

  • Ruth Asawa (American, 1926-2013)

    Untitled
    [S.334, Hanging 15-Lobed (Seven Open and Eight Interlocking) Continuous Form], c. 1955
    Looped copper wire
    134 x 8 x 8 in. (340.36 x 20.32 x 20.32 cm.)

  • Ruth Asawa (American, 1926-2013)

    Untitled
    (S.047, Hanging Six-Lobed Continuous Form within a Form with Two Forms Interlocked and Three Interior Spheres)
    Copper and brass wire
    102 x 16 x 16 in.
    Executed ca. 1968.

  • Ruth Asawa (American, 1926-2013)

    Untitled
    [SF.046b, Plain Potato Print in Blue and Orange], c. 1951-1952
    Ink on paper
    14.5 x 10 in. (36.83 x 25.4 cm.)

  • Ruth Asawa (American, 1926-2013)

    Untitled
    [WC.134, Self Portrait], c. 1960s
    Pen and ink, brush and ink on paper
    13 x 12.5 in. (33.02 x 31.75 cm.)

  • Ruth Asawa (American, 1926-2013)

    Untitled
    [PF.293, Bouquet (Vase with Flowers)], No Date
    Pen and ink on glossy paper
    40 x 26 in. (101.6 x 66.04 cm.)

Sale & Exhibition Information

Exhibition Information

  • Venue

    Christie’s Japan
    Ltd. Meiji Seimei Kan 4F,
    2-1-1 Marunouchi, Chiyoda-ku,
    Tokyo 100-0005 JAPAN

  • Viewing

    16 October – 6 November 2015

  • Contact

    Jonathan Laib
    jlaib@christies.com
    Tel: + 1 212 636 2101

    Louise Makowski
    lmakowski@christies.com
    Tel: +1 212 492 5495