A MAGNIFICENT PAIR OF NAPOLEONIC SILVER-MOUNTED RIFLED PRESENTATION FLINTLOCK PISTOLS
A MAGNIFICENT PAIR OF NAPOLEONIC SILVER-MOUNTED RIFLED PRESENTATION FLINTLOCK PISTOLS
A MAGNIFICENT PAIR OF NAPOLEONIC SILVER-MOUNTED RIFLED PRESENTATION FLINTLOCK PISTOLS
4 更多
A MAGNIFICENT PAIR OF NAPOLEONIC SILVER-MOUNTED RIFLED PRESENTATION FLINTLOCK PISTOLS
7 更多
This lot has been imported from outside of the UK … 显示更多 THE PROPERTY OF AN IMPORTANT PRIVATE EUROPEAN COLLECTOR
A MAGNIFICENT PAIR OF NAPOLEONIC SILVER-MOUNTED RIFLED PRESENTATION FLINTLOCK PISTOLS

BY BOUTET & FILS, VERSAILLES, SERIAL NO. 345, CIRCA 1809

细节
A MAGNIFICENT PAIR OF NAPOLEONIC SILVER-MOUNTED RIFLED PRESENTATION FLINTLOCK PISTOLS
BY BOUTET & FILS, VERSAILLES, SERIAL NO. 345, CIRCA 1809
With swamped octagonal barrels each secured by two barrel-keys, cut with multi-groove rifling, engraved and gilt with Empire foliate scrollwork at the muzzle and breech, and the mid-section delicately matted and heightened with gilt stars. Each muzzle with gilt blade front sight and each breech section struck with maker’s marks contained by the engraved ornament and with the serial number to left side. Standing breeches each of burnished steel, engraved with further Empire scrollwork and incorporating a notched rear sight. ‘Screwless’ flat bevelled locks of burnished steel respectively signed “Boutet & Fils” and “Versailles”, the side nail screws securing each lock are accessed by partly releasing the tang screw on the standing breech which in turn releases the silver side-plate. The lock-plates feature slightly raised gold-lined priming pans and the plates and cocks are each finely engraved with mythical beasts. Border engraved burnished steel trigger-plates each with single set trigger. Well figured walnut full length stocks profusely inlaid with silver plaques finely engraved with Empire ornament including on each side of the butt a large Imperial eagle grasping Jupiter’s thunderbolt (foudre) with the Insignia of the Grand Aigle of the Légion d’Honneur above. Fine silver mounts struck with Paris assay marks used up to 1809 and cast and chased in high relief with neo-Classical symbols including trigger guards each bearing a standing figure of Jupiter on the bow with an Imperial eagle perched on a column forming the finial, pommels each bearing a portrait bust of Athena, and the rear ramrod-pipes each with a portrait bust of Jupiter and a small tubular section bearing Classical figures flanking a burning altar. The spine of each butt has an unadorned silver plaque probably intended for a presentation dedication. Solid cast and chased silver side-plates each steeped in neo-Classical symbolism involving a recumbent Classical youth wearing only a laurel wreath leaning against an altar bearing an Eye of Providence whilst holding a roman fasces in his left hand and a quadrant in his right, at his feet lies a lion with an altar and tablet behind, to his rear is the l’Ecole Militaire with a globe atop a pile of books with a martial trophy laid across the ground, to the front of the lion is a cloud of smoke with a vanquished Harpy crawling away from the youth, to the front of the Harpy is a depiction of a military encampment with buildings behind, probably representing the Champs de Mars and Les Invalides. With silver-tipped wooden ramrods each with threaded brass fitting. The pair in a modern brass-cornered wooden close-fitted case lined with dark blue velvet, in the centre of the case between the two pistols is a silver plaque engraved “Early 19th Century Presentation Pistols / by / NICHOLAS(sic) NOEL BOUTET”.
14 1⁄2 in. (37 cm.) long overall, 8 1⁄2 in. (21.7 cm.) barrels; the case 3 3⁄4 in. (9.5 cm.) high, 19 3⁄4 in. (50.3 cm.) wide, 10 1⁄4 in. (26 cm.) deep
来源
Possibly Emperor Napoleon I, (1769-1821).
The Imperial Russian Collection, formerly in the Palace of Tzarskoe Selo, St. Petersburg.
William Goodwin Renwick, Sold, Sotheby's, London, 17 July 1972, lot 38.
出版
The Metropolitan Museum of Art, New York, Loan Exhibition of European Arms and Armor, 3 August – 27 September 1931, p. 96 (noted as “From the Hermitage”).
F. Davis, The Illustrated London News, 26 December 1931, p. 1060, fig. 4.
Bulletin of the City Art Museum of St. Louis, January 1940, p. 14, pl. II (e).
T. Hoopes, “Firearms of Princes”, p. 6, pl. 2.
展览
Metropolitan Museum of Art, New York, 1931, cat. no. 393.
City Art Museum, St. Louis, 1939.
注意事项
This lot has been imported from outside of the UK for sale and placed under the Temporary Admission regime. Import VAT is payable at 5% on the hammer price. VAT at 20% will be added to the buyer’s premium but will not be shown separately on our invoice.

荣誉呈献

Amjad Rauf
Amjad Rauf International Head of Masterpiece and Private Sales

拍品专文


By tradition this pair of presentation pistols were said to have belonged to Napoleon and to have been captured during the retreat from Moscow in 1812. It is more probable that these fine pistols were presented by Napoleon, the presence of the insignia of the Grand Aigle of the Légion d’Honneur suggesting that the recipient was a holder of this honour. Whilst it is plausible that these pistols may have been captured from the French baggage train during the retreat from Moscow, their presence in the Imperial Russian Collection in St. Petersburg has led to speculation that they may have been presented to a Russian recipient of the Grand Aigle of the Légion d’Honneur. The Almanach Impériale of 1812 names eight prominent Russians who were bestowed with this honour by Napoleon:

S. M. L’Empereur de Toutes les Russies.
S. A. I. le Grand-Duc Constantin.
S. Ex. M. le Prince Kurakin.
S. Ex. M. le Prince Labanoff.
S. Ex. M. le Baron de Budberg.
S. Ex. M. De Romanzow.
M. le Général de Tolstoy.
S. Ex. M. De Tolstoy, Grand Maréchal.

Other pistols from the same serial number range of slightly differing form but all bearing the insignia of the Grand Aigle of the Légion d’Honneur have been noted as having Russian provenance. Unfortunately a lack of records means this only remains an interesting theory.

Nicolas-Noël Boutet

Nicolas-Noël Boutet (1761-1833) is widely acknowledged as the premier gunsmith of France during an important period of arms manufacture. The son of Noël Boutet, a French royal gunsmith, and son-in-law of Pierre Desaintes, gun maker to Louis XVI, Boutet survived the Revolution of 1789 to become an important gunsmith under the subsequent rise of Napoleon. Boutet was named Directeur Artiste of the newly formed Versailles Arms Manufactory in 1792 and in 1795 was appointed head of the newly created Arms de luxe department, responsible for richly decorated presentation arms suitable for military heroes or heads of state. Boutet remained at Versailles until 1818 when his concession was terminated. He moved to Paris but his fortunes waned and he was declared bankrupt by 1822. He died in Paris in 1833. In his heyday during Napoleon’s reign Boutet was able to marry technical perfection and precision of workmanship with the finest decoration. Skilled crafts guilds had been disbanded with the decline of Louis XVI and Boutet hired many masters of silversmithing, lock-making and goldsmithing for his Versailles workshops. Working in the Empire idiom that took hold with Napoleon’s rise and with the Mediterranean campaigns, Boutet fashioned the finest presentation arms of the period, richly embellishing them with the Graeco-Roman and Egyptian ornament that reflected the period’s ideals of military honour and glory. Fine examples of Boutet’s work are held in collections across the globe including The Metropolitan Museum of Art in New York, the Musée de l’Armée in Paris, The Royal Armouries in Leeds, the Wallace Collection in London and the State Hermitage Museum in St. Petersburg.

William Goodwin Renwick

Born to a prosperous family in Davenport, Iowa, William Goodwin Renwick (1886-1971) spent his boyhood in Claremont, California and earned an L.L.B. at Harvard in 1913. He began amassing in the decades before the Second World War one of the premier firearms collections in modern history. The 1939 Bulletin of the City Art Museum of St. Louis report on its Renwick loan exhibition, which included the present pistols, notes that “Half of them are known to have been at one time the personal property of emperors, kings, members of the European nobility, or other notable personages… objects de luxe, created for the richest and most critical personages of their time by the most skillful contemporary artists and craftsmen.” The collection was not just an assemblage of individual masterpieces, but, in its whole, told the story of firearms development from the 14th to the 20th century. Renwick bequeathed a portion of the collection to the Smithsonian, where it was exhibited in 1975. The Renwick European firearms were offered for sale in a series of ten single-owner auctions at Sotheby’s in London, held from 17 July 1972 through 17 June 1975 – landmark sales never equalled in the field of arms and armour.

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