細節
管勇
辯證
油彩 畫布
2006年作

中國新貴族
廣闊而虛擬的歷史舞臺上,幾個中國新貴人物,對著書本,姿態各異,神情凝重,正在如「眾佛辯論」式的研討探求著「真理」。書,成為畫面的中心。在管勇作品中,書、筆,往往是知識份子、權力階級的代表和象徵,也是歷史文化、意識形態構建書寫者的象徵。

中國的急劇變革,不但決定了當代中國的新貴階層是速成的、超常規發展的、具有傳奇色彩的,而且也給他們原有的文化模式、思想觀念、價值體系等帶來巨大衝擊,陷入於迷茫和無所適從之中。作品中的他們似正在不停地追問、研究,試圖尋找到「真理」,以走出這種狀態。作品反映著當代中國社會主體(新貴)的現實存在狀態,展示出作者對他們所應有的價值觀和歷史責任感的的審思。

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拍品專文

The New Privileged Class of China
On the vast virtual historical stage, several members of the new privileged class of China, are pointing at a book. Though they put on different postures, their faces share a serious expression. Just like the famous debate among a thousand Buddhas, they are seeking The Truth. The book in the painting is the centre of attention. In fact, the symbols of 'book', and 'pen', are very often employed in Guan's work, as a symbolic representation of intelligentsia and rank. They also symbolize the writer as of a cultural, historical and ideological construct.

The rapid transformation of China has not only determined the rapid, extraordinary, and even legendary formation of a new privileged class in contemporary China, but also resulted in a great culture clash and an enormous impact on the Chinese mentality and value system, putting the new privileged class in a confused and perplexed state. The painting seems to show them in a vigorous attempt to find The Truth, by questioning and studying, so as to put an end to confusion. This piece of artwork reflects the realistic being of the new privileged class in contemporary Chinese society, demonstrating the painter's reflection on the values and historical responsibilities which the privileged should have.

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