ANTOINE VESTIER (FRENCH, 1740-1824)
Prospective purchasers are advised that several co… 顯示更多
ANTOINE VESTIER (FRENCH, 1740-1824)

細節
ANTOINE VESTIER (FRENCH, 1740-1824)
Mademoiselle Saint-Val, nude, in white silk shawl worn off-the-shoulers, revealing her left breast, her arm across her chest, wearing a rose garland set with a falling gauze veil
signed and dated 'Vestier fecit 1780' (mid-right)
on ivory
oval, 2 7/8 in. (75 mm.) high, ormolu frame
注意事項
Prospective purchasers are advised that several countries prohibit the importation of property containing materials from endangered species, including but not limited to coral, ivory and tortoiseshell. Accordingly, prospective purchasers should familiarize themselves with relevant customs regulations prior to bidding if they intend to import this lot into another country.

榮譽呈獻

Tom Johans
Tom Johans

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拍品專文

The identification of the sitter in the present portrait has been given on the basis of comparison with another miniature of Mademoiselle Saint-Val in similar guise by Vestier, signed and dated 1787. This earlier miniature was formerly in the collection of Madame Alfred Orban circa 1912 and was exhibited Brussels, Hôtel Goffinet, Exposition de la Miniature, 1912, no. 1163 where it was listed as 'Portrait de Mlle Saint-Val de la Comedie Française en vestale'. The Saint-Val name was more closely associated with the House of Molière who had among his actors two sisters who used the Saint-Val name as a pseudonym. By 1779 the acting career of the youngest sister, Pauline, had ended but that of her sister, Marie-Blanche, continued to flourish. It is possible therefore that the present sitter, painted both in 1777 and 1780, can be more firmly identified as Pauline Alziari de Roquefort (1752-1836).
For a discussion about the identification of the sitter and the guise in which she is depicted, see A-M. Passez, Antoine Vestier, 1740-1824, Paris, 1989, p. 298, no. 209, illustrated p. 299.