FAIRFIELD PORTER (1907-1975)
FAIRFIELD PORTER (1907-1975)
FAIRFIELD PORTER (1907-1975)
FAIRFIELD PORTER (1907-1975)
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FAIRFIELD PORTER (1907-1975)

South Meadow, Afternoon

細節
FAIRFIELD PORTER (1907-1975)
South Meadow, Afternoon
signed and dated 'Fairfield Porter 70' (lower right)
oil on masonite
24 x 28 in. (61 x 71.1 cm.)
Painted in 1970.
來源
Hirschl & Adler Galleries, Inc., New York.
Private collection, Wilmington, Delaware.
Barridoff Galleries, Portland, Maine, 11 August 1993, lot 180.
(Probably) Acquired by the present owner from the above.
出版
C. LeClair, Color in Contemporary Painting, New York, 1991, pp. 75-77, illustrated.
J.T. Spike, Fairfield Porter: An American Classic, New York, 1992, p. 299, illustrated.
J. Ludman, "Checklist of the Paintings by Fairfield Porter," in Fairfield Porter: An American Classic, New York, 1992, p. 301.
J. Ludman, R. Downes, W. Agee, J.T. Spike, Fairfield Porter: A Catalogue Raisonné of the Paintings, Watercolors, and Pastels, New York, 2001, p. 266, no. L742, illustrated.

榮譽呈獻

Quincie Dixon
Quincie Dixon Associate Specialist, Head of Sale

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拍品專文

The present work captures the surroundings of the artist’s daily life in a manner true to the scenery but also, more importantly, to his own impulsive feelings during the painting process. According to Charles LeClair, "Fairfield Porter…is an artist who saw color in terms of subject matter. An admirer of Vuillard and the impressionist, he painted coolly observed scenes from a pleasant, leisurely life. In South Meadow, Afternoon—a view from the Maine island where his family spent their summers—Porter uses a typical, quietly attractive color chord. Yet we respond to it less as an abstract scheme than as an evocation of lights and atmosphere." (Color in Contemporary Painting, New York, 1991, p. 77) Indeed, Porter expertly captures the sunny Maine day in the present work, transporting the viewer to the coastal scenes that he admired throughout his career.

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